The fourth single from the much-anticipated film Bhool Chuk Maaf, starring Rajkummar Rao and Wamiqa Gabbi, is taking social media by storm. Titled “Ting Ling Sajna”, the newly released music video features dynamic choreography and vibrant performances, with Dhanashree Verma delivering an eye-catching appearance alongside Rajkummar Rao.
Released on Wednesday, the song quickly garnered attention across digital platforms. The catchy beats, composed by Tanishk Bagchi, blend seamlessly with the sultry vocals of Madhubanti Bagchi and Tanishk himself, while Irshad Kamil’s lyrics add lyrical depth to the peppy number. The energetic dance routines and stylised visuals have further accelerated its viral momentum.
Following the track’s massive reception, Dhanashree Verma took to Instagram to share behind-the-scenes images from the song shoot. Clad in a glittering red sequinned blouse and a high-slit skirt, she looked every bit the diva, exuding confidence and poise on set. Her co-star Rajkummar Rao, equally suave, sported a casual yet stylish look with a peach shirt layered under a denim jacket and paired with jeans.
Captioning the post, Dhanashree wrote: “Are you coming for Ranjan’s bachelor party at your nearby theatres on 9th of May? Cuz we got the moves, pure energy and the charm.” Her caption aligns perfectly with the mood of the track and sets the tone for the film’s release.
Bhool Chuk Maaf, directed by Karan Sharma, is produced by Dinesh Vijan in collaboration with Amazon MGM Studios. The film is scheduled for a theatrical release on May 9, and is expected to bring a fresh blend of comedy, drama and music to the big screen.
This marks a significant appearance for Dhanashree Verma, who has increasingly found her footing in the Indian music and dance scene. She previously appeared in Kamsin Kali from Love Sex Aur Dhokha 2, Balle Ni Balle alongside Aparshakti Khurana, and the emotionally intense Dekha Ji Dekha Maine with Jyoti Nooran. With each project, she has continued to expand her artistic portfolio and attract new fans.
Apart from her professional achievements, Dhanashree has recently made headlines due to her high-profile divorce from Indian cricketer Yuzvendra Chahal. The couple, who got married in 2020 during the pandemic lockdown, had been living separately for over a year and a half before officially ending their marriage. The divorce was finalised on March 20, with Yuzvendra Chahal reportedly agreeing to pay Rs 4.75 crore in alimony. Despite personal turbulence, Dhanashree’s focus on her career remains unwavering.
While Ting Ling Sajna is creating waves, it’s the synergy between Dhanashree’s vibrant performance and Rajkummar Rao’s charm that has viewers replaying the video on loop. The song’s success highlights the increasing trend of film soundtracks becoming viral assets long before a movie hits theatres. Music, in this case, is not just a promotional tool, but a driving force behind audience anticipation.
Rajkummar Rao, who is known for his versatility across genres, appears to be embracing a more flamboyant avatar in Bhool Chuk Maaf. His chemistry with co-stars, particularly in the song visuals, showcases his ability to transition effortlessly between roles. Wamiqa Gabbi, though not featured in this particular track, is expected to bring her signature intensity to the film.
With Bhool Chuk Maaf, Dinesh Vijan’s Maddock Films continues its trend of balancing strong narratives with commercial viability. The association with Amazon MGM Studios marks a step forward in expanding the film’s reach beyond domestic markets, especially among the growing Indian diaspora audience.
The social media virality of Ting Ling Sajna also points to the increasing impact of choreographed songs as standalone spectacles in modern Indian cinema. Dhanashree, a choreographer by profession, adds credibility to this growing trend. Her distinct style, marked by controlled energy and expressive movement, stands out even amid the glamour-heavy frame of Bollywood dance sequences.
What further cements the song’s popularity is the seamless production quality and vibrant set design. Every visual element—from costume to lighting—has been carefully curated to enhance its replay value. For fans of Bollywood music, Ting Ling Sajna serves as a reminder of the genre’s potential to transcend film narratives and function as independent pieces of pop culture.
With the movie’s release just around the corner, all eyes are now on how Bhool Chuk Maaf performs at the box office. The buzz generated by the song, however, has already done a significant portion of the film’s promotional groundwork. As viewers flock to watch “Ranjan’s bachelor party” unfold on screen, the film rides in with substantial pre-release momentum.
Bhool Chuk Maaf is poised to be more than just a comedy-drama; it’s turning into a cultural moment that fuses dance, music, and cinema with star power and digital traction. Dhanashree’s involvement only strengthens the film’s appeal to a younger, social media-savvy demographic that values performance-driven content.
